The second volume of Submissive Women combines another three of Charlotte Edwards' popular stories in one collection. TURNING THE TABLES Emma, the ever submissive mistress is to entertain another couple this evening in her Master's dungeon. But things don't quite go as expected. MY SUBMISSIVE ENTERTAINS Emma was completely submissive to her married Master. Always ready to expand her experience, tonight he takes her to a lap dancing club and watches her entertain both the patrons and the other entertainers. REPOSSESSING THE MISTRESS Emma thought she could manage without her married Master. Besides, she needed to get on with her life and her biological clock was ticking. Realising she was wrong and desperately needed Him, she invited Him for a chat in a hotel room. He came to repossess her with his bag of tricks and his wife! Extract: 'Still holding Charlotte firmly by the neck, I strip off her jacket and firmly fasten the cuffs to her wrists. Dragging her to where a rope hangs waiting from a pulley in the centre of the room, I fasten the clip at the end to a convenient ring between the cuffs and haul her up on to her tip toes. The moment I take my hand from her throat, she begins to struggle and protest that this wasn't what she wanted, threatening me with all sorts of reprisals and ordering her husband to stop me. Tying off the rope, I move to stand in front of her to watch her futile struggling. Her lithe body is now stretched out as tightly as a bowstring and she can't do much but sway from side to side; even that is rapidly tiring her out. Her mouth is still active though, now spewing obscenities at a rapid rate. 'Thwack!' I slap her once across the cheek. Her mouth immediately falls silent and her big eyes fill with tears. I admire her splendid body. Her breasts are displayed at their finest, her succulent nipples pointing toward the ceiling. She is a rare beauty, her flame red hair frames the face of a china doll and her upper body appears to have no fat on it at all. Unzipping her skirt, I let it drop around her feet and gently caress her little pussy.' These are explicit erotic tales which will appear to both sexes and as you might expect, have detailed descriptions of many sexual activities, including bondage, whipping and double penetration. If that sort of stuff offends you, please do not read it!
Hypnosis and Stress provides a practical approach to using hypnosis with patients suffering from a wide range of stress related problems. Innovative in its approach, this book integrates traditional approaches in hypnosis with Ericksonian and Rossi's approach to hypnotherapy. <p> The most up-to-date research is discussed and a flexible, 'hands-on' framework is provided for practicing hypnotherapy, including: <ul> <li>detailed guidelines on conducting clinical interviews <li>examples of preparing the patient for hypnosis <li>templates of clinical 'scripts' for use in sessions <li>solutions for dealing with catharsis <li>discussion of inter-professional collaboration. </ul> <p> Interventions are suggested for a wide range of stress problems in both adults and children, including anxiety, sexual dysfunctions, sleeping problems, pain and other psychosomatic conditions. <p> This practical guide provides a useful introduction to hypnotherapy for professionals such as counsellors, psychotherapists, psychiatrists, psychologists and physicians. The breadth of information included ensures it will also appeal to the more experienced clinician.
Mark, Alice, Peter, and Jay are each of them very different submissives. But they share the same compulsive need - the same yearning - to submit completely to a powerful dominatrix.
From the INTRODUCTORY NOTE. When, during the season of 1885, the exceptional success of "The Magistrate" had revived the fortunes of the Court Theatre and included that house once again among the popular places of entertainment, the future policy of Messrs. John Clayton and Arthur Cecil's management was practically determined. The essentially comic play, the farce of character and manners, was henceforth to compose the programme, and Mr. Pinero, who had suggested the new policy, and so happily inaugurated it, was naturally commissioned to provide the next play. "The Schoolmistress" was accordingly forthcoming in due time, and in the composition of this piece the author further developed his ideas as to the scope and meaning of modern farce, ideas which will be found briefly expounded in my introductory note to "The Cabinet Minister," published in the present series of Mr. Pinero's plays. "The Schoolmistress" has a very simple stagehistory. It was produced at the old Court Theatre on March 27, 1886, and it immediately caught the laughter and applause of the town, the success being so decided that the play retained its place in the programme until January 22, 1887, the total number of performances in the interval having amounted to 290.
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